Since completing the third chest of drawers for the upcoming book, I have had a lot on my plate which has dictated, at best, sporadic work on the fourth chest.
I did, however, begin with great gusto; preparing the carcase’s pine and solid mahogany panels and veneering the side panels. All were set aside for a time while I attended to one of several interruptions requiring my undivided attention.
When I returned to the bench some weeks later, I couldn’t locate the veneered panels. I searched high and low for them, but being unsuccessful (and a gentleman-of-a-certain-age with short-term memory issues), I thereby convinced myself that I hadn’t made the panels. However, I didn’t feel like veneering that day, and decided to make up the base moulding and bracket feet instead.
Urgent distractions again took me away from the bench for a week or so and then the veneered panels turned up – exactly where I had left them, leaning against a wall to dry. I knocked the carcase together while I had all the panels in the one place and then after another lengthy interlude, I couldn’t locate the feet. This chest really tested me.
Dating from 1740, this mahogany chest is the first non-walnut chest and is also the first example (that I have made in this series) that reverts from crossgrain mouldings back to long-grain mouldings. The drawer fronts and carcase top are solid mahogany and the latter is attached to the veneered sides with a single sliding dovetail at each end.
The George II mahogany chest in-the-white…
Actually, the chest isn’t exactly finished: The backboards aren’t on and they can’t go on until I affix the stops to the back of the dressing slide, and the stops can’t go on until I line the dressing slide, and I can’t line the dressing slide because, in the aftermath of The Great Storm of 2014 that destroyed our house, I have no idea where the roll of baize ended up.
The first three chests can be seen here, here and here.
Jack Plane
I always enjoy seeing your work. I have the same problem with loosing pieces that are right where I put them. Problem is that as I get older the lost pieces get larger.
Jim
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What colour baize are you planning to use?
Would there have been a traditional colour?
I too have a number of artefacts safely stored away.
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Dark green baize was the most commonly used colour. I will be lining the slide with a suitably faded representation of dark green commensurate with the ageing of the chest.
JP
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Thanks.
I’m certain that the missing baize will turn up as soon as you have purchased the replacement.
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Natch!
JP
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Glad to here your back in the shop. Hope all your distractions have been addressed. Does the dressing slide have stops to prevent it from being pulled out to far?
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Unfortunately the distractions continue.
Yes, the back stops are to prevent the slide from being inadvertently totally withdrawn.
JP
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“I remember putting it someplace safe” means I’ll never find it again.
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I sympathize and understand completely the misplaced baize and veneered panels. You have good reason as the distraction of trying to get your home rebuilt would be enough. I on the other hand have no good excuse other than disorganization.
I do look forward to reading your book.
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