Tag Archives: veneer

Patches II

Having read the earlier post Patches, Pablo Bronstein sent me a few pictures of a walnut escritoire in his possession with an unusual patch in its lower left side (figs. 1 & 2). Fig. 1. Inlaid quadrant ebony stringing. (Pablo … Continue reading

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Patches

No, not the Fentanyl patches that some of us stick on our upper arms… nor even those patches applied to furniture by restorers to effect repairs; I am talking about the patches that were let into veneered (and on occasion, … Continue reading

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Cross-Grained Mouldings

Mouldings on oak-framed buildings – and thence joyner-made oak furniture – followed the timber’s grain and were comparatively simple to produce. Then circa 1685, a new breed of specialised furniture maker appeared. Cabinetmakers developed more sophisticated techniques for making and … Continue reading

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Picture This XC

I have written previously on the topic of (usually vernacular) furniture that employs largely unfashionable or domestic timbers in its construction. Here again is an example of case furniture – a sophisticated cabinet-on-chest in this instance – anomalously moulded and … Continue reading

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Picture This LXXXIX Redux

The chevron bureau featured in Picture This LXXXIX sold with a hammer price of £750 ($1,465) against a pre-auction estimate of £800 – £1,500 ($1,570 – $2,950). Lot 357, a George III (II?) chevron bureau. (Sworders) Jack Plane

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Picture This LXXXIX

Coming under the hammer at Sworders tomorrow, the 7th of June 2016, is this bureau, unusually veneered overall in a chevron pattern. The pre-auction estimate is £800 – £1,500 ($1,570 – $2,950). Fig. 1. Lot 357, a George III (II?) … Continue reading

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A William III Ash Chest-on-Stand – Part Seven

The drawers were constructed in period-correct fashion with through dovetails front and back. The central veneers on the drawer fronts are the more figured stuff from the ends of the leaves of quarter cut veneer I used for the stripy … Continue reading

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A William III Ash Chest-on-Stand – Part Six

The joinery for these flat, shaped stretchers commonly comprises simple lap, or halved joints, however, one also encounters bridle joints (fig. 1). Fig. 1. The pine stretcher components. After putting the stretcher together, it was veneered on top, inside and … Continue reading

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A William III Ash Chest-on-Stand – Part Two

I am never without something to occupy myself, but spring is a particularly active time of the year: Horses, foals (currently five, with another three due imminently), tree planting, tree watering, keeping the greens in order and a myriad of … Continue reading

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A William III Ash Chest-on-Stand – Part One

I am taking a sabbatical to recharge my batteries and to make a copy of an adorably quirky, yet hallowed William III ash chest-on-stand (fig. 1) before attending to the final two chests for the book. Fig. 1. William III … Continue reading

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