Category Archives: Picture This

Picture This CXVIII

A London dealer recently attributed this bureau (unusually, veneered in burr elm) as George I, circa 1715 and also stated the brasses are original. George II elm bureau, circa 1750-5. The drawer cockbeading places the bureau after 1720 at the … Continue reading

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Picture This CXVII

I mentioned in Chest Invection and Picture This LIVI how, due to changes in tastes, the elevated chests from chests-on-stands and chests-on-chests often found themselves standing on the floor on newly acquired bun- or bracket feet – and conversely, how … Continue reading

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Picture This CXVI

This splendid early eighteenth-century walnut breakfront chest-on-stand comprises a number of features that stylistically, span several decades: The chest’s frame-and-panel gables’ origin is in the last quarter of the seventeenth-century; the double bead drawer aperture moulding enjoyed popularity from 1700 … Continue reading

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Picture This CXIV

The fairly plain ash, elm and oak ‘country Chippendale’ chairs – with their silhouette vasiform back splats and wooden seats (fig. 1) – were popular during the last quarter of the eighteenth-century and were made in emulation of their more … Continue reading

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Picture This CXI

A dealer is currently offering this walnut chest for sale and describes it as Queen Anne with original brasses. What do the sleuths say? Fig. 1. Fig. 2. Fig. 3. Fig. 4. Jack Plane

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Picture This CX – Redux

To a comment in Picture This CX, I replied that warped Windsor seats were not uncommon. A few minutes flicking through the archives returned the following additional examples of warpiness. (That is a word. Now.) Fig. 1. Fig. 2. Fig. … Continue reading

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Picture This CIX

I spotted this chest of drawers for sale which was described thusly: […] chest of drawers, circa 1720. […] later inlaid with same period inlay which has been let in to create this stunning piece. Fig. 1. Decorated oak chest … Continue reading

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Picture This CVIII

I have previously mentioned cross-grained mouldings (here and here) which, though somewhat out-of-period, are authentic. The walnut chest-on-chest below is from the second quarter of the eighteenth-century and displays customary cross-grain banding and vertical veneer on the drawer fronts. Fig. … Continue reading

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Picture This CVII

Harlequin tables initially enjoyed popularity from the second quarter of the eighteenth-century. Several examples are known to have been made by John Channon and Thomas Potter – both esteemed London cabinetmakers. The tables’ tri-fold tops (fig. 1) successively open to … Continue reading

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Picture This CVI

When preparing another post recently, I noticed something a little peculiar about this rather glorious chest of drawers (fig. 1). Study figures 1, 2 & 3 for the foible before scrolling down to figure 4. Fig. 1. “George II mahogany … Continue reading

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